It seems like my work and performance has centred around the AirSticks for the last year, and that 2023 is going to be even more AirStick focused. I have done two live performances using the technology now; once at JOLTED for Melbourne Design Week, and then at Burrinja Cultural Arts Centre in Upwey, where I was able to blend my original film work, dance and music compositions created with AirSticks.

One question I get a lot is “what are the AirSticks?” So maybe it’s time to get back to basics and explain a bit about the technology I am working with.

I was first introduced to the idea of a wearable, adaptable and accessible music instrument by my friend and colleague, Dr Anthea Skinner, in early 2020. We did a lot of experimentation with different versions of a wearable, I even tried the Woojer wearable haptic feedback tech for a while (it was too bulky and designed for a male body type, so was not ideal for me). My role in the project has been to use my already developed dance and movement practice, and find ways that sound composition tech can be incorporated into that.

Now I have two AirSticks 2.0 models. They use a gyroscope and connect to my laptop for programming with various sounds like musical instruments, prerecorded vocals and sound effects. Then I wear the devices strapped to my wrists and as I move, I find the sounds in the space around me. Right now, when I make big, sweeping motions, for example, I get reverberating bass drums, and when I make small, delicate movements, I can capture the harp strings.

Looking forward, I am exited about the next stages of this project. Working with the inventor, Dr Alon Ilsar as well as a team of researchers, dramaturges and choreographers, I am now learning how to program the AirSticks myself. We have all survived the grant application process for further research and were successful at some, so we have added a collaboration with the Victorian College of the Arts (VCA). I am now starting a residency at VCA to continue our development and work on a 50 minute performance piece.

For a deeper look at the AirSticks tech, you can check out the AirSticks website here or stay tuned for more from me!

The past few months have seen big developments in the AirSticks project. We have had two successful grant applications and expanded the team to include costume designers, lighting, choreographers and mentors.

It also means that I have been granted a 12 month residency at the Victorian College of the Arts (VCA). This will allow me to work on the AirSticks project with VCA PhD students as well as use of the motion capture technology.

I now have my own AirStick instrument to practice with at home, and am learning to use the Ableton Live software to create totally original compositions.

I am finding new ways to make music with the AirSticks. It is amazing to explore, dare I say it, the Rhythm of My Body Shapes. It’s also pretty exciting to learn more about the sounds of music. Especially with these beautiful new hearing aids. Now I can pick up nuances to the music which I never did before.

This month will also see my performance of ‘Humanist’ at Burrinja Cultural Centre in Upwey, on the closing night of a three day dance festival. This is an installation mixed media piece I have been working on and have now also brought in a soundscape created using the AirSticks.

https://www.burrinja.org.au/burrinja-whats-on/burrinja-in-motion

A short preview of part of one of my new works…

These are the not too serious mix in the attempt to get some new headshots… Thanks to Jessica Fawkes for these awesome goodies – she manages to bring out the relaxed me!!

An improvised dance, filmed during my visit to Schoolhouse Studios. This space is a repurposed Coles Supermarket building, the back rooms are very interesting spaces to dance, film and photograph.

Last Sunday I had the chance to visit SchoolHouse Studios. When I saw this piano on the ‘junk’ heap, I just had to have a play! I hadn’t played since I was a kid, and I just improvised and let it come to me.

This video speaks for itself! The music is a collaboration with Jeska and Matt, which was a conversation and then an improvised experience with instruments and some natural sounds. It is also leading me to next phrase of my creative journey where I move my body to explore with sounds to make music.

‘My Pop, My Hero’

This work was part of a local exhibition run by Burrinja Cultural Centre, the ‘Upwey Archies’.

It had to be a portrait of someone important to me. I decided to use an old photograph of my grandfather, Bert. I used my imagination for the oranges, because he was an orange grower in Robinvale. I will never forget this beautiful man.

Time to work on some new techniques! During the last few months of being in and out of lockdown I have been using the time to explore ways to take my art in a new direction.

Some of you may know that I have been sharing my original mindfulness meditations with my mentees as a way to start our sessions. This painting is inspired by my mentee, Lily, and is an exploration of an imagined journey.

Recently I have been exploring using acrylic paints. My dad was an avid painter, and luckily for me, also a collector of painting supplies. I have inherited many of his brushes and paints, so I have been using them in my work. I feel this is a great way to connect with my dad’s legacy.

Lily’s Travels

As well as acrylics, I have also been exploring perspective to add a new dimension to my work. Using my dad’s brown paints (why did you have so much brown, Dad?), I spent many evenings working on this painting of a Jetty by the ocean. This painting is inspired by my own travels, bringing the ocean closer to me.

Jetty